Anna and Solomon     I firmly believe that every family has a story that its children need to know, and I love nonfiction picture books that grow from those stories. This delightful book came about when the New Yorker artist, Harry Bliss, finally convinced his mother-in-law to put her family story on paper. It is a beautiful collaboration.

The story itself, as with so many family stories, is simple and not heavy-handed: Solomon moves from Russia (to escape pogroms) and works to bring his wife to the New World, too. But Anna feels an obligation to her extended family and over and over sends other family members in her place. We feel Solomon’s deep love and longing for his wife, and his wife’s strong sense of loving duty. The story ends in a beautiful celebration of family.

Snyder uses page turns brilliantly over and over to build up suspense: will it be Anna getting off the ship this time?

I also admire the adroitness with which the  historical context was handled:

Shortly after Anna and Solomon’s marriage, a calamity befell the Jews of Vitebsk. The ruler of the land, called the Czar, sent his soldiers on horses to the streets where the Jews lived. The soldiers entered their homes, broke their windows and furniture, stole their brass candlesticks, and destroyed their holy books. Solomon decided that he no longer wanted to live in a place where his people were persecuted and harm might come to Anna.

In four sentences, Snyder explains what a pogrom is, shows us how wrenching it is, and makes it clear why Anna later in the book will feel obligated to help rescue her extended family members. This is historical scaffolding at its best.

It’s a heart-warming story and may inspire you to call up your grandma so you can hear the story of your family, too.

Anna & Solomon, by Elaine Snyder, illustrated by Harry Bliss.  Farrar Straus Giroux: 2014.

 

 

This lovely, quiet book tells the story of Edward Hopper’s life from the time he was a child with a new pencil box until he finished his last painting. The narrative voice is soulful, telling emotionally-charged anecdotes with vivid words, as well as reflective, using questions to organize the story:

Edward wondered: will I ever be able to paint?

But how?

But who cares?

…was Edward satisfied at last?

The paintings reimagine iconic Hopper paintings in interesting ways. I was especially glad to have thumbnails of the source paintings in the back matter so I could look at how the illustrator transformed them to work as illustrations for the book. The back matter bulges with helpful essays and quotes and dates and information for further study. It’s a wonderful book to look at and just as satisfying to read.

Edward Hopper Paints His World by Robert Burleigh, illustrated by Wendell Minor. Christy Ottaviano Books: 2014.

 

Duncan Tonatiuh’s distinctive artwork illustrates this story of a family that brought a lawsuit to desegregate schools. The story is long–2321 words!–but Tonatiuh makes sure everything is told from young Sylvia’s point of view.

The dialogue in the book keeps things lively, and I was delighted that the author included a note about that dialogue in the back matter, He writes:

The dialogue in the trial scene comes directly from court transcripts. i shortened and edited it for clarity and pacing. The dialogue in the rest of the book is inspired by conversations i had with Sylvia Mendez in October 2012 and April 2013.

The narrative voice shifts between Spanish and English. It’s clear and plain-spoken, with few poetic devices, as if the right outcome of this case is so obvious that it doesn’t need rhetorical flourishes.

Separate Is Never Equal: Sylvia Mendez and Her Family’s Fight for Desegregation by Duncan Tonatiuh. Abrams: 2014.

It’s hard to find a new angle on topics that have been written about before. Over. And. Over. But Selbert does so charmingly:

Rufus’ best friend, Winston Churchill, is a busy man, but most days Rufus and Winston share a walk.

From this auspicious beginning, we watch Churchill save the Western world from the perspective of his poodle. Selbert never, however, slips into cloying cuteness. This is carefully-crafted nonfiction, and she sticks to the facts. Most pages include a quotation from Churchill. Rather than incorporating the quotes into the text, they are worked into the art, appearing as card tacked onto bulletin boards.

An inspiring look at a great man.

War Dogs: Churchill and Rufus by Kathryn Selbert. Charlesbridge: 2013

[booknet booknumber= 9780547199450] Turkeys and Pilgrims are important, of course, but this book speaks to another aspect of modern-day Thanksgiving: the Macy Thanksgiving Day Parade. Both text and illustrations are brilliant, and will give you a new appreciation for all those character balloons bobbing about on your TV screen!

Balloons over Broadway, by Melissa Sweet. Houghton Mifflin Harcourt: 2011

This brilliantly written book explores the differences and similarities between Thomas Jefferson and John Adams and how they helped shape their cooperation in making a new nation. The book starts with a strong opening:

The true story of how one gentleman–short and stout–and another–tall and lean–formed a surprising alliance, committed treason, and helped launch a new nation.

Kerley uses that lively narrative voice through the book. She chooses strong, interesting words that make the text leap to life:

He lunged, parried, and skewered the policies of King George and his government.

Her quotations, deftly woven in, make the two men spring to life:

“You should do it,” Tom told him. “Oh! No,” John exclaimed. Any declaration he wrote would be severely criticized, for some delegates, he conceded, found him “obnoxious.”

I felt weepy by the end of the back matter, stunned with gratitude for the foolish and human but visionary men who built the United States.

Those Rebels, John and Tom, by Barbara Kerley, illustrated by Edwin Fotheringham. Scholastic: 2012.

This book, about a landmark moment in jazz history, is written with a jazz-inspired narrative voice, playing with literary convention–there’s no end punctuation in the entire book–and dabbling with different poetic devices, like rhyme, alliteration, and onomatopoeia, without ever committing to one. The story’s told with staccato phrases in shotgun bursts. Ransome uses rich and vivid words. She describes sound “rippling and rumbling” and describes the experience of watching a performance:

Fast fingering

Drums thumping

Trumpets trumping

The back matter is longer than the text itself, which I always love when a book has intrigued me like this one did. I’m anxious to get more of the story and can usually find it in the back matter. Here, Ransome tells us “More about Benny Goodman and Teddy Wilson,” provides a time line, and gives a “Who’s Who in Jazz.”

Benny Goodman and Teddy Wilson: Taking the Stage as the First Black and White Jazz Band in History, by Lesa Cline-Ransome, illustrated by James E. Ransome. Holiday House: 2014.

In writing biography, it’s tempting to start at your subject’s birth and finish at your subject’s death. But usually that’s not the structure that will best tell the story.

In this biography of an astronomer, the book starts with her gazing at the stars as a child and wondering about them. We see her work to learn the answers to her questions, and the book concludes as she publishes an academic paper to answer those questions. The beginning and ending relate directly to the story Burleigh’s telling. Sure, a lot of Leavitt’s life is left out, but the book feels complete because it tells one story, beginning to end.

The book is a great look at a girl growing up to be a scientist. The extensive back matter profiles other female astronomers as well.

Look Up! Henrietta Leavitt, Pioneering Woman Astronomer by Robert Burleigh, illustrated by Raul Colon. Simon & Schuster, 2013.

 

 

Annie Smith Photography

Annie Smith Photography

I write nonfiction for children, but I’m also writing for adults. When it comes to picture books, adults are the gatekeepers. Generally, they select the books to buy or check out and they’re the ones who read them to children. I’m curious about how adults make those decisions and about how they share nonfiction picture books with kids. So I decided to ask some of those adults!

Today my sister-in-law, who always has awesome book recommendations for me, answers my questions.

1. Describe your family.

My husband Nathan and I have two daughters, Rowan and Emerson.  Rowan is seven and in the second grade.  It has been a joy to watch her become a confident reader this last year.  She is currently obsessed with the American Girl Series, but is also being introduced to other delightful chapter books.  Emerson is five and has just started full day kindergarten.  We have recently discovered the Ivy and Bean series and she was an avid listener as we quickly made our way through that fun series.  Nathan is an anesthesiologist, but when he is not busy putting people to sleep, he is a voracious reader and is always planning our next family adventure.  I am a former middle school teacher of American History and Pre-Algebra.  My love of personal narratives has driven my study of history over the years, consequently I adore nonfiction picture books that feature individuals and their contributions to their communities.  I am currently serving on the Board of Directors of our local children’s museum and cherish the opportunity to be involved with the education of local children in this way.

2. What’s a nonfiction picture book you have loved sharing with your children? Tell me about how they responded to it.
[booknet booknumber= 9781442414020] After visiting Balboa Park in San Diego a few years ago and hearing about the contributions of Kate Sessions I wanted to learn more about her.  I was so pleased to find the picture book, The Tree Lady, which tells her story so well.  I especially appreciated the focus it placed on her study of botany, even as a young girl.  In preparation for a return visit to San Diego, I purchased the book.  We read the book with Rowan and Emerson the day before going to Balboa Park and then had a wonderful time looking at the gardens and trying to find plants similar to the ones planted by Kate Sessions.
Another nonfiction picture book that has had an impact on my children is Martin’s Big Words:The Life of Dr. Martin Luther King Jr.  This powerful book was introduced to Rowan by  [booknet booknumber=9781423106357]her first grade teacher as a part of their discussions surrounding the Martin Luther King Jr. holiday.  Rowan is very interested in issues of social justice and equality, so this book really moved her.  She was allowed to bring it home and she read it to us as a family as part of our MLK holiday recognition.  We also borrowed a tradition from friends of ours of decorating and enjoying a birthday cake in Dr. King’s honor.
3. How do you choose which nonfiction picture books to purchase or check out of the library ?
Fortunately, I have a wonderful sister-in-law [aww…thanks, Alicia!] who keeps me apprised of wonderful nonfiction picture books.  Also, I use the internet to find books that fit a certain topic we may be interested in exploring.  Our local bookstore features new nonfiction pictures books in the children’s section which makes for fun perusing.
4.What kinds of nonfiction picture books do you wish you had more of?
I feel that I would have to exhaust the genre of nonfiction picture books to answer this question because I know there are many amazing books and subjects left for us to explore. I will say, though, that I sincerely appreciate the growing number of nonfiction picture books that feature women and their experiences. This is so important to my young daughters who want to see females like themselves in stories and I value the opportunity to share with them stories about remarkable women that they can emulate.

Tomorrow is Election Day here. I’ll be going to the polls, grateful that I have the right to cast a ballot.

This book is the story of Susan B. Anthony’s illegal vote in 1872 when she cast a ballot in the presidential election. The book tells an important story and it’s beautifully constructed. Malaspina doesn’t try to tell us about all the great things Anthony did in her long life; the book tells just about that one vote and its dramatic consequence (spoiler: the consequence was NOT women getting the vote!).

Instead of using wordy transitions between scenes in the book, Malaspina heads sections with their time and place: “Rochester, New York, November 1, 1872.” She also repeats a refrain to keep the book organized and connected: “Outrageous. Unvelievable. True.”

The book comes alive with the richly-textured sensory detail she uses: she “jumped up to grab her purse and wrap”; they “hoisted their skirts”; “Miss Anthony’s heels tapped faster and faster.”

After you cast your ballot, sit down and share this book with a child.

[booknet booknumber=9780807531884]

Heart  on Fire: Susan B. Anthony Votes for President by Ann Malaspina, illustrated by Steve James. Albert Whitman, 2012. 

[booknet booknumber=”9780547875071″] This moving autobiography tells the story, in first person present tense, of a boy who stutters but can speak fluently to animals. We live with him through the despair and loneliness of school and then find, with him, the joy of researching jaguars in the wild. We see his passion to protect the jaguar from poachers overcome his disability. “I have a voice now to speak for animals.”

And we get that whole story in 789 carefully-chosen words. This book proves the idea that conciseness gives writing power.

A Boy and a Jaguar, by Alan Rabinowitz, illustrated by CáTia Chien. Houghton Mifflin Harcourt: 2014.

 

Sometimes brilliant book design elevates a good story into something extraordinary. In the main text of this biography of Antoine de Saint-Exupéry, Peter Sís uses language infused with the same tone as Saint-Exupéry’s masterpiece, The Little Prince: 

Long ago in France, at the turn of the last century, a little boy was born to be an adventurer.

The book would have been good with just this simply-told story.

But Sís makes the book into an unforgettable tour de force with his illustrations. Are they simply a new style of illustration for picture books? Are the illustrations actually the back matter? Or is this an example of layered text? I’m not sure how to define it. On many of the spreads, Sís packs his inventive illustrations with textual content. This page has a design that’s fun to look at:

20140925_115551

But if you lean in close, you see tiny snippets of fascinating story. Crashes Saint-Exupéry endured! Stunts he performed! People’s memories of him!

20140925_115647

Page after page I found myself bending in close to make sure I read every bit of text looping around every single delightful picture. Kids who love narrative nonfiction will like this book, but it speaks just as beautifullly to the information fanatic who devours Ripley’s Believe It or Not. There’s no back matter in the book, but other than a bibliography, it doesn’t really need one. The illustrations do the job.

In this 7 minute video, Peter Sís talks about the book.

The Pilot and the Little Prince: The Life of Antonie de Saint-Exupéry, by Peter Sís. Farrar, Straus and Giroux: 2014.

Joe DiMaggio’s hitting streak is an amazing story in itself, but Rosenstock puts the streak in its historical context. We see how DiMaggio struggled to achieve the record and how his brilliant success gave hope to a nation facing a world war. Rosenstock sets the stage deftly on the first page where she talks about the first hit in DiMaggio’s streak:

It wasn’t news. Instead, the headlines in 1941 shouted about the war spreading like a fever through Europe.

She keeps her focus on DiMaggio, but with a few words here and there, we’re reminded of that war threatening in the distance.

Rosenstock’s verbs quiver with life: “whip,” “scuff,” “roar,” “soak,” “surge,” “yell,” “grab,” “rub,” “pound,” “trot,” “dance.” Her narrative voice is muscular and nimble. It’s a fun book to read aloud.

The back matter is satisfyingly hefty. She writes more than 500 words about what happened next, gives us memorable quotes and statistics, as well as providing quote attributions and explaining the sources of the newspaper headlines shown in the illustrations.

I admire Rosenstock’s ability to shape real life into a compelling, vivid story. She’s on her own streak with with creating great nonfiction picture books.

Here’s the one minute trailer, which focuses on the mystery aspect of the book: can DiMaggio break the streak without his beloved bat?

The Streak: How Joe DiMaggio Became America’s Hero by Barb Rosenstock, illustrated by Terry Widener. Calkins Creek: 2014.

 

[booknet booknumber= “9780439930505”]

“There was a time when jolly old England was not so jolly. Children worked in factories. Queen Victoria frowned. Everything was grim. Everything was dark—except…in the make-believe kingdom of Topsy-Turvydom.”

Gilbert and Sullivan’s hilarious operas can just seem strange if you don’t understand the class-bound, rule-conscious Victorian world they came from. In The Fabulous Feud of Gilbert & Sullivan, Jonah Winter depicts that Victorian world and celebrates the unabashed silliness of Gilbert & Sullivan while telling the story of how The Mikado came to be written. Although the focus is on The Mikado, this book is a great introduction to any Gilbert & Sullivan show–our kids loved reading it before we saw HMS Pinafore..

Reading about Gilbert and Sullivan’s fight also might prompt discussion about friendship and the hard feelings that can come between friends.

I miss some of the research features that are becoming more common in non-fiction picture books. The dialogue in the book is apparently invented, but there is no acknowledgment or discussion of that craft choice. I also wished there had been a bibliography so I could see where Winter found the story.

Richard Egielski’s pictures are the perfect accompaniment to Winter’s rollicking text.

The Fabulous Feud of Gilbert and Sullivan by Jonah Winter, illustrated by Richard Egielski. Arthur A. Levine: 2009.

thomas-jefferson-life-liberty-and-the-pursuit-of-everything-12Illustrator Maira Kalman follows up her 2012 book about Lincoln (Looking at Lincoln) with a look at another president, Thomas Jefferson. Once again, the narrator’s voice is memorable and spunky, but while the Lincoln book had a childlike narrator, this book sounds like your quirky Aunt Edna telling you stuff:

But wait. We have not spoken of the Founding of America.

It’s a good choice for a biography tackling the confusing inconsistencies of Jefferson the visionary, the patriot, the slaveholder, and the philanderer.

The book competently guides its reader on a tour of Jefferson’s life. It’s organized by theme, each group of spreads looking at a different facet of Jefferson’s interests, passions, or accomplishments. There’s no bibliography and no source notes, but the real treat is Kalman’s candy-colored illustrations.

And Aunt Edna’s not a bad tour guide for a visit to a remarkable and troubling life.

Thomas Jefferson: Life, Liberty and the Pursuit of Everything by Maira Kalman. Nancy Paulsen Books: 2014.

25d1635d708e663e9e46d84d9e42088f

Who was the first person to fly an airplane? This book profiles Alberto Santos-Dumont, the Brazilian contender. It’s a charming story of sophisticated Parisian life in 1903, despite clunky invented dialogue and an awkward shift in point of view in the middle of the book.

Louis Blériot, the hero of Alice and Martin Provensen’s Caldecott winner The Glorious Flight, appears here in a less-than-glorious light. Reading the two books together could lead to a fascinating discussion about the different perspectives writers bring to their subjects. Which also makes it a great Common Core pairing for fourth graders, who are supposed to integrate information from two texts on the same topic.

Don’t miss Griffith’s fantastic author’s note at the end. It has it all-how she got interested in the story, more details about events in the story, what happened next, and a discussion of Santos-Dumont’s legacy in the worlds of flight and fashion.

The Fabulous Flying Machines of Alberto Santos-Dumont by Victoria Griffiths. Abrams: 2011.

stone giant

This book opens with a giant block of marble standing in a courtyard in Florence and tells the story of how that chunk of rock became Michelangelo’s iconic statue of David. The book doesn’t break any new ground historically, and it doesn’t rely on primary documents, but the clever structure makes it a great introduction to Michelangelo. Focusing first on the marble rather than on Michelangelo actually helps us see the artist more clearly because we understand better the world in which he worked.

The writing is rich with sensory details:

In summer the stone dust mingled with the sweat on his skin and made a kind of mud. In winter his breath hung in the air. He stopped only when he had to, to eat or to sleep.

Even if you don’t have plans for a trip to Florence in the near future, it’s worth visiting the statue David here in this book.

Check out the one minute trailer for the book.

Stone Giant: Michelangelo’s David and How He Came to Be by Jane Sutcliffe, illustrated by John Shelley. Charlesbridge: 2014.

E Roos cropped

How do you tell a life in picture book format? The most obvious story structure–birth to death–often flattens the historical character. It can be boring.

Zeroing in on a single moment in that astonishing life, though, makes that character spring to life. In Hot Dog! Eleanor Roosevelt Throws a Picnic Leslie Kimmelman writes about Eleanor Roosevelt by focusing on a single picnic in 1939. In the process of telling us the story of this outdoor feast, she shows us Eleanor Roosevelt’s personality and her passions, as well as giving us glimpses of FDR, the king and queen of England, and everyday American life at the time.

Kimmelman’s dive into primary sources shows in the book. We hear the voice of the outraged public in well-chosen quotes from angry letters and Eleanor Roosevelt’s measured response in her newspaper column (I only wish the quotes were attributed in the back matter!).

Victor Juhasz’s political cartoon-style illustrations are a great match for the easy-going, conversational voice of this book.

Pull out the mustard and relish and dig into this book!

Leslie Kimmelman. Hot Dog! Eleanor Roosevelt Throws a Picnic by Leslie Kimmelman, illustrations by Victor Juhasz. Sleeping Bear Press: 2014.