Cover shows Harper Lee, as a child, in overalls,writing in a notebookAlabama Spitfire tells the story of Harper Lee, the author of To Kill a Mockingbird. Roughly the first third of the story tells about her childhood. It does a good job of contextualizing the segregated town she lived in and devotes a lot of time to her friendship with–and spirited defense of!–Truman Capote.

The next third of the book describes how she worked to become a writer as an adult. We see her writing and revising, taking jobs that allow her to write, and building friendships (including continuing one with Truman Capote) that nourish and sustain her.

The final third of the book describes her novel’s immediate success and her negative reaction to all the publicity surrounding it.

Hegedus uses strong, fun words and phrases to bring the narrative voice to life:

“From the get-go she was a spitfire.”

“She always took up for the underdog.”

“They were in hog heaven!”

The illustrations are lovely and draw you in. They do a good job of showing the world from a kid’s eye view.

I imagine this book would be especially attractive to older readers who are reading To Kill a Mockingbird for the first time, but the story of friendship and persistence will speak to any young reader.

Alabama Spitfire: The Story of Harper Lee and To Kill a Mockingbird by Bethany Hegedus, illustrated by Erin McGuire. Balzer + Bray: 2018.

Picture of children surrounding a globe

Alyson Beecher hosts the Nonfiction Picture Book Challenge at kidlitfrenzy.com. Visit there for more great nonfiction picture books!

Cover of Miguel's Brave Knight shows young Miguel Cervantes next to Don QuixoteMiguel’s Brave Knight is picture book biography in verse by the National Young People’s Poet Laureate, Margarita Engle. It tells the story of Miguel Cervantes, the sixteenth century writer, famous for Don Quixote.

Any picture book biography, but especially one in verse, has to be particular about what story it tells. A picture book doesn’t give you the length to delve into every aspect of a subject’s life. You need to choose one theme to explore and explain and describe. Someone once described it to me as finding the single golden thread that will run through every page of your manuscript. The demands of poetry make it even more important that the focus is tight and well-defined.

Engle explores the relationship between imagination and bravery in her book. The book is written in the voice of Cervantes as a boy. We see him struggling with his family’s economically precarious situation. When his father is thrown in debtor’s prison, young Cervantes says:

They even took our beds and plates.

Where will we sleep?

How will we eat?

This scary situation–one that will be familiar to, sadly, many children–requires real bravery. Engle explores where Cervantes’ courage to continue comes:

Our empty house looks

so spooky

and stark…

But when I close my eyes,

the spark of a story flares up.

This book is set in the 1500s, but it is a sympathetic acknowledgment of the kinds of family, home, and political traumas children face. And it gives them a model, suffused with hope, for how to deal with those problems, for how to find their own inner bravery.

Miguel’s Brave Knight: Young Cervantes and His Dream of Don Quixote, by Margarita Engle, illustrated by Raul Colon. (Peachtree: 2018).

Picture of children surrounding a globe

Alyson Beecher hosts the Nonfiction Picture Book Challenge at kidlitfrenzy.com. Visit there for more great nonfiction picture books!

Cover of One Fun Day with Lewis Carroll shows Lewis and images from Alice in Wonderland, like the Cheshire CatWords slide into the English language without our really thinking about where they come from. One Fun Day with Lewis Carroll points out, while telling the story of the author’s life, that sometimes those words are invented by individuals.

The book starts in Carroll’s childhood and shows him playing with and amusing  his younger siblings. When he grows, he continues amusing the children of friends. The book culminates with the story of the composition of Alice in Wonderland–started on a lazy day of rowing to amuse two young girls.

I loved how the text used Carroll’s invented words and highlighted them by printing them in color in bigger font. The back of the book includes a handy glossary, color-coded according to the book that the word first appeared in. The book remided me a lot of Will’s Words: How Shakespeare Changed the Way you Talk, and I think the two of them would make a fine pairing.

The art in this book is exuberant and fantastical–perfect for the biography of Alice’s creator! The colors are lush and the shapes fascinating. The center of the book is a wordless spread depicting the story Carroll is inventing in the rowboat.Lush illustration shows Alice chasing a rabbit.

A fun book about the fun of language!

One Fun Day with Lewis Carroll: A Celebration of Wordplay and a Girl Named Alice, by Kathleen Krull, ilustratued by Julia Sarda. Houghton Mifflin Harcourt: 2018.

Picture of children surrounding a globe

Alyson Beecher hosts the Nonfiction Picture Book Challenge at kidlitfrenzy.com. Visit there for more great nonfiction picture books!

Picture of children surrounding a globe

Alyson Beecher hosts the Nonfiction Picture Book Challenge at kidlitfrenzy.com. Visit there for more great nonfiction picture books!

Nonfiction picture books about three women for Women’s History Month!

Cover of book shows young Jane Austen writingOrdinary, Extraordinary Jane Austen surprised me. Why would an elementary student be interested in Jane Austen? But Deborah Hopkinson convinced me with her sweet biography that focuses on how very ordinary Jane was, and yet able to develop her talent in an extraordinary way by observing, reading, and writing, writing, writing. It’s a heartening story for those of us who also feel ordinary.

The back matter includes a short summary of each of Austen’s novels (a good idea since I don’t think many children have read her yet!) and famous quotes from each book, as well as places to learn more about Jane Austen. The illustrations are charming and accessible, and the endpapers are the sweetes pink of the year.

Ordinary, Extraordinary Jane Austen by Deborah Hopkinson, illustrated by Qi Leng. Balzer + Bray: 2018.

 

Cover of book shows Belva Lockwood protesting in front of CapitolA Lady Has the Floor tells the inspiring story of Belva Lockwood, who started out as an educator who reformed the schools she worked in so that girls got to have the same experiences as boys–public speaking, physical activities. She then broke down gender barriers to attend law school, and was the first woman to argue before the Supreme Court. As if that weren’t enough barrier breaking, she next became the first woman to run for president, even before women had the right to vote. She said, “I cannot vote, but I can be voted for.”

The back matter for this book about a trailblazer includes a detailed timeline that includes events that happened after her death but are arguably her legacy. I loved that it included source notes for all the quotations in the book. The art was made with a crackle varnish that gives all the pictures an old-timey feeling.

Lady Has the Floor: Belva Lockwood Speaks Out for Women’s Rights by Kate Hannigan, illustrated by Alison Jay. Calkins Creek: 2018.

 

Cover shows young Lil Hardin Armstrong playing pianoI wasn’t sure who Lil Hardin Armstrong was when I read the subtitle of Born to Swing. Louis Armstrong’s daughter? His sister? I was surprised to learn that she was his wife, and much more famous than him at first. The back matter includes a telling quote from a 1925 newspaper: “Louis Armstrong. Who is he?…Louis is the feature man in Lil’s jazz band at the Dreamland.” This lively biography tells the story of how Lil moved from the church music that her mother approved of to the jazz that she adored. The book is written in first person. Mara Rockliff explains why she chose first person:

Since Lil never got to tell her own story, I tried to tell it as she might have chosen to. I used many of her own words from the interviews she gave over the years. Like all stories told aloud, lil’s stories changed a little every time she told them. Sometimes she even bent the truth a bit. Reading what other people said about her helped me bend it back.

Born to Swing: Lil Hardin Armstrong’s Life in Jazz by Mara Rockliff, illustrated by Michele Wood.  Calkins Creek: 2018.

If you’re also reading Girl Running for Women’s History Month, I’d love it if you’d post a review on Amazon or Goodreads. Those reviews help authors a lot! Thanks.Cover of Girl Running shows Bobbi Gibb running, her blonde hair billowing behind her.

 

 

A boy sits under a tree conversing with a dragon. The dragon appears to be part of the tree.

A boy sits under a tree conversing with a dragon. The dragon appears to be part of the tree.John Ronald’s Dragons is a biography of J.R.R. Tolkien, focusing on the parts of his life that inspired his fantasy writing. The book invites you to see Gandalf in a headmaster who smoked a pipe, dragon’s smoke in the smoke pouring out of smokestacks in an industrial city, and the frightening Mines of Moria in World War I trenches.

The author, Caroline McAlister, is an English professor who teaches Tolkien, so the book carries with it an air of authority. The back matter includes an Author’s Note with more biographical details than are in the main text, a Catalog of Tolkien’s Dragons, and Quotes from Tolkien’s Scholarly Writing on Dragons, as well as a Bibliography.

Endpapers of book show dragons wheeling through air.The art manages to marry the everyday with the fantastical in wonderful illustrations. The endpapers are probably my favorite so far this year. I especially loved the Illustrator’s Note in the back matter, which comments, page by page, on details in the art. The illustrator, Eliza Wheeler, points out that she has painted one of Tolkien’s favorite childhood books, The Red Fairy Book on one spread; that she has added a specific piano in one illustration as homage to Tolkien’s grandfather; comments on how she used “forced perspective” to get in all the landmarks that needed to be in the illustration; and so on and so forth. I wish every illustrator did this! It made the book so much richer for me.

I can imagine parents who love Tolkien sharing this book with their children. I can imagine children being totally captivated by the images of dragons that pop up throughout the book. I wonder what they will take away from the picture book to their first reading of The Hobbit and Fellowship of the Rings, but maybe it will act not as a spoiler but as an accelerator, encouraging kids to plow into the books.

John Ronald’s Dragons: The Story of J.R.R. Tolkien by Caroline McAlister, illustrated by Eliza Wheeler. Roaring Brook Press: 2017.

Children with book around a globe

I participate every Wednesday in the Nonfiction Picture Book Challenge at Kid Lit Frenzy.

Drawing of Dr. Seuss with a sketchpad.Who doesn’t love Dr. Seuss? His pictures and his rhymes are funny, inventive, and memorable. I usually write about traditional nonfiction picture books, but today I’m joining Michele Knott and Allyson Beecher in their #Road2Reading Challenge. Dr. Seuss: The Great Doodler is an early reader biography that explores the life of the author/illustrator everybody knows.

I loved reading about Theodore Geisel’s early life–visits to the zoo with his sketchpad, his work on a college humor magazine–and seeing connections to his later work. The book includes wonderful details. Did you know he composed with wacky hats on his head? I was especially fascinated to read about Geisel/Seuss’s work as an editor.

The book is labeled as a Step 3 Step into Reading book. It’s a great example of an engaging subject written for young readers.

Dr. Seuss: The Great Doodler, by Kate Klimo, pictures by Steve Johnson and Lou Fancher (Random House: 2016)

Children reading books in a tree.

Cover of book showing many men, including athletes in full uniform, surrounding a tiny woman holding a pencil and a notepadMiss Mary Reporting is vintage Sue Macy–it’s the rollicking story of a woman breaking barriers in the world of sports. But this time, the woman isn’t an athlete but a reporter.

This picture book biography tells the story of Mary Garber, one of the first and arguably the most prominent early female sportswriter. We learn about many of the stories she covered–from football to Soap Box Derby racing–and about her experience reporting on Jackie Robinson as he broke the color barrier in major league baseball.

Mary Garber not only reported on a trailblazer but also became one in her own right. She insisted on covering black high school athletic events, not just ones from the white schools in her hometown of Winston-Salem. And of course being a female sports reporter brought its own set of challenges. Something as small as a press pass could prove a challenge for her:

Even after she was allowed in [the press box], Mary had to wear the football writers’ official press badge, which proclaimed, “Press Box: Women and Children Not Admitted.

As you would expect in a book about a reporter, the narrative voice is straightforward and sometimes reportorial. The back matter is lively and helpful. I especially loved seeing all of the quotes in the book–13 in all!–fully attributed.

C.F. Payne’s illustrations reminded me of editorial cartoons. They’re fun to look at and good cartoon likenesses of famous faces.

This video is long, but if you watch even a few minutes of it, you’ll be able to see the real Mary Garber and hear her voice.